The painter at the Kulkarni Household

When he was a child, Mohandas Kulkarni was expelled from art class.  When his son died unexpectedly, for reasons unknown, he picked up the brush again. It had been a strange choice for him, one that didn’t seem to make much sense to anyone apart from him. His son had played the guitar almost all through his life; there were people who had expected Mohandas to maybe pick up that instrument, as a fitting way to remember his son.

Instead, he got lost behind his canvas, buried beneath layers of paint and dust. The words stopped flowing out of him over time, and he stayed mute for days, eyes glazed over, and thinking about whatever it was that he was painting. It’s easy to let grief out by crying, but Mohandas saved up every last teardrop he had. His wife cried, while Mohandas stayed stoic and silent. When the fire swallowed their son, Reena had been inconsolable. A day later, Reena stood strong, and in spite of it all, her life went on.

A week later, the first easel appeared, followed by the palette. Reena lost her husband to the easel that day. Mohandas lost the words shortly thereafter. The paint settled on the canvas overtime, and the dust settled on Mohandas; and unseen to his eyes, Reena aged long before her time. Two years passed like this, in a flash.

In Mohandas’ little art room, there was a pile of discarded paintings. They were all the same, but he hadn’t been satisfied. He had spent most of his time locked away in this room, looking for something in what he created so carefully, only to strip them down and begin anew. He wasn’t sure what it was that he was looking for all this while, but he was sure he would know when he saw it.

For two years, Reena and Mohandas hadn’t spoken to each other, or seen each other much. Weary and tired, Reena had wanted things to end quietly instead of going on like this. She had considered running away – but how can you run away from someone who isn’t even sure about your presence? She had thought about leaving him, but there was something about Mohandas that stopped her every time. In the way that Mohandas could never identify what he was looking for in the paintings, Reena failed to identify the reason that made her stop in her footsteps and bound her to the man she had lost the day her son died.

On an unremarkable Sunday morning, while the neighbours slept till late, catching up on their lost hours of sleep over the weekend, Mohandas emerged with the canvas and headed straight to the room that he once shared with his beloved wife. She was still in bed, but her eyes were open – almost as if she had been expecting him. He settled it down in front of her, and took his wife’s hands in his own. That morning, on an unremarkable, lazy Sunday, Mohandas broke his silence.

His voice, raspy from lack of use over many years, seemed sudden and cracked, but Reena heard him well; “I love you.”

“It’s beautiful, Mohan,” she said.

“It’s not original. I copied the idea from another painter. I forgot her name a long time ago,” he said.

“It looks just like him, but. How did she do that? Did she know him?”

“No, she didn’t. That’s what I was looking for, all this while. I was searching for him, searching for his face in that painting, hidden beneath the many layers of colour. I’ve found him now.”

Reena looked at the tears that streamed down Mohandas’ face, delayed by over two years while he had been looking for his lost son in another woman’s painting.

She gently put his arms around him, while he rested his wet cheeks on her shoulder. And they lived happily ever after…

~

Inspired by In Tandem.